Script
The core message gets clear
Original storyboarding, 2D and 3D character rigging, fluid 60fps kinetic motion, and spatial audio.
Viewers decide in the first three seconds whether to stay. Good video doesn't explain; it shows. We design script, character, motion and sound together from the start, so the video catches the eye and stays in the mind, in 2D or 3D, promotional or explainer. Scroll down to watch our own story: seven frames, not a word of explanation.
Motion graphics is a story you understand without being told. This one is ours: seven frames, seventy-four seconds, no sound. Whatever you read into it is the right reading.
Your brand has a story too, one nobody has seen yet.
Build my brand storyOur story had seven frames. From here on, the frames are yours. Not everything that moves is motion graphics; movement without meaning only tires the eye.
The story above carries no sentence explaining itself, yet everyone takes something from it, and that reading is what stays. Good motion graphics do the same for your brand: instead of listing features, it puts the viewer inside a frame where they see the outcome for themselves.
Seemerce motion graphics are for introducing a product or service in a few seconds, campaign teasers, explainer videos and social content. Your video matches your brand's visual identity, because the same team behind our graphic design makes the motion too. For podcasts or audio-only projects, we also offer voiceover and sound design on their own.
Script, picture, sound, and edit pacing are not built apart; they stack on top of each other.
The core message gets clear
Filming or animation
Voice, music, mix
Final scene arrangement
Bad sound undoes even the best picture; that is why sound is planned from the start, not added last.
Each kind has a frame of its own. These sixteen are the most requested, and we build each one with its own script, style and sound.
15 to 60 second teasers for campaigns, product launches and online ads; built for the first three seconds.
A complex product or service in 60 to 120 seconds without a spare sentence; for the homepage and the sales meeting.
Flat, vector and cartoon styles; the fastest and most economical route for introductions and social media.
Product, space and logo with a real camera and light in Blender; when material and volume must be seen.
The brand mark comes alive in 3 to 8 seconds; video intros and outros, stories and broadcast.
Motion on the word itself; for slogans, quotes, video podcasts and lyric music videos.
Numbers, charts and data journeys that are watched instead of read; annual reports and pitches.
City, factory, warehouse and system; the three-quarter view that shows a process from above.
Hand and pen on a white page; for training, online courses and customer how-to videos.
Motion over the user interface, software and app demos; for the store listing, the landing page and the investor.
A custom brand character that stays across every video; the same thing we did with our own mark.
9:16 motion for Instagram, YouTube Shorts and in-app ads; short, and readable with the sound off.
Company introductions, conference openers, exhibition and display loops.
Broadcast standard, real footage combined with graphics; for television, cinema and digital billboards.
Name straps, transitions, bumpers and animated templates for shows, video podcasts and channels; designed once, used every episode.
Backgrounds and animatics with Seedance and ChatGPT Image, final frame handmade; faster and cheaper, with no AI label on the output.
Don't see what you need? Send us your idea and we'll tell you how we'd make it.
From the first frame to the last: teasers, film, photography and your brand's sound, all in one place.
Short product teasers that combine graphics, motion and music, made for the three seconds in which a viewer decides.
Character, world and framing; what makes the story above readable without words. Motion typography and visual effects are built here too.
Editing for short films, teasers and documentaries, from rhythm and pacing to color grading.
Filming teasers, products and your business space with professional-grade equipment, when the story needs real footage.
Voiceover, dubbing and audio editing, score, mixing and mastering; half the feeling of any frame comes from sound.
Performance, narrative, lyric and animated music videos; full details on the music video production page.
Every video follows the same path as the story above: first seen, then understood.
We start with a short session to agree on the goal, the audience and the one sentence that should stay with them; the script grows from that sentence.
Frame by frame, we plan where the eye lands and where it moves. You approve the visual style before production, so nothing needs redoing.
The character, colour and world of the video come out of the brand's identity, not a template.
We animate or film the scenes and set voiceover, music and mix at the same time, so picture and sound work as one.
We deliver the final video sized for Instagram, your website and broadcast.
New tools are like the third frame of the story: not everything that shines is real. We know them, use them where they help, and honestly set them aside where they don't.
Seedance generates several continuous shots with sound from a prompt or a few reference images, and it is a genuine next step for motion graphics, as long as we know which frame to hand it.
Helps in these projects
Not in these
The ChatGPT image model is excellent for the first draft and wrong for the final frame. The difference between the two is the difference between temptation and reveal.
We use it here
Not here
The output of these models carries an invisible watermark and content-credential metadata (Content Credentials/C2PA in ChatGPT, SynthID in Google's models). Instagram and YouTube read it and can label the video or image as "made with AI". For a brand teaser, that label is the fifth frame: what was meant to stay hidden gets revealed. That is why raw AI output is never published directly; it enters production as a draft, and the final frame is handmade.
The best 3D motion graphics scenes are built this way: Astra proposes the scene layout, camera angle and lighting from the brief; Blender builds it with a physical camera and light; the animator locks rhythm and detail. The tool offers the draft; a person closes the frame.
Best used for
Where 3D does not pay off
A story that is understood without explanation. Script, picture, sound and rhythm are built together from the start, not apart.
Tap any step to read the details behind it.
In a short session we set the goal, audience and length, and get your approval of the script and storyboard before production.
Anything that moves is not motion graphics, and meaningless movement tires the eye. Instead of listing features, the video draws the viewer into a frame where they see the result themselves.
Bad sound can undo even the best picture. That is why voice-over and sound design are part of the project from the start.
The same team that designs your brand graphics is behind the motion, so the video matches your visual identity.
Script, picture, sound and edit are not built separately. They are layered together so the video holds the eye and stays in the mind.
Before ordering, you can watch our own story in seven frames and 74 seconds, with not a word of explanation. Whatever you take from it is right.
From a 15-second story to a cinematic teaser; each package has a set length, style and parts.
Tap any solution to see exactly what it includes.
Up to 15 seconds, made for Instagram stories.
Up to 30 or 60 seconds to introduce a product or service.
Up to 90 seconds with story narration.
For ready footage, per minute.
A basic package for promo photography or sound recording.
Large projects with a film crew and media broadcast.
We put the published process of five motion and animation studios next to the broadcast loudness standard (EBU R 128) and lined our own work up against each step.
Four of the five start with a brief and discovery, and all five write the script before any picture. Mighty Fine calls the script "the roots of the motion graphic tree".
With us A short meeting settles the video's goal, its audience and the sentence that must stay in their mind; the script starts from that sentence.
All five storyboard. Pixel Studios has it approved before animation and Radio Perfecto calls storyboard approval a checkpoint.
With us We map frame by frame where the eye lands, and you approve the visual style before production so nothing is redone.
Mighty Fine stresses that all its graphics are custom-made, and Radio Perfecto treats design and asset creation as its own stage.
With us The character, colour and world of the video come out of the brand's visual identity, not a template.
Production takes the biggest share: Yans Media about 50 to 60% and Radio Perfecto 50% of the project timeline.
With us We build the scenes or film them.
All five count sound as part of the same project. The EBU R 128 broadcast standard sets programme loudness at -23 LUFS with a ±0.5 LU tolerance.
With us Voiceover, music and mix are tuned together so picture and sound become one; sound is in the project from the start, not the end.
Yans Media and Radio Perfecto name the formats: MP4 H.264 for web, ProRes for broadcast and vertical versions for social.
With us We hand over the final video in sizes suited to Instagram, your site and general broadcast.
Sources: MotionMedia, Yans Media, Mighty Fine Design, Pixel Studios, Radio Perfecto (their own published process articles); EBU R 128
One number from the broadcast standard, the rest from the published process of the studios we reviewed.
The target programme loudness for broadcast, with a tolerance of ±0.5 LU.
EBU TechUsually built into the contract; Yans Media, Pixel Studios and Radio Perfecto all say so.
Yans, Pixel, RadioA straightforward 60 to 90 second piece, from approved script to final file.
Pixel StudiosA 60-second 2D explainer. High-end 3D work of the same length can take 3 to 6 months.
Radio PerfectoThe share of the timeline spent on pre-production: script, storyboard, moodboard.
Yans MediaThe length of a whole project, depending on complexity and video length.
Yans MediaSources: EBU R 128 (tech.ebu.ch); process articles from Yans Media, Pixel Studios and Radio Perfecto
We read each studio's own process article and marked only what it says outright. The last column is what a Seemerce motion graphics delivery includes.
| Practice | MotionMedia | Yans Media | Mighty Fine | Pixel Studios | Radio Perfecto | Seemerce |
|---|---|---|---|---|---|---|
| A brief and discovery first4 of 5 | Order, brief and story | |||||
| The script before any picture5 of 5 | The script starts from the key sentence | |||||
| A storyboard before production5 of 5 | Storyboard and style approval | |||||
| Sound is part of the same project5 of 5 | Voiceover, music and mix together | |||||
| Custom graphics, not templates1 of 5 | From the brand identity, not a template | |||||
| Delivery formats named2 of 5 | Sizes for Instagram, web and broadcast | |||||
| Vertical versions for social2 of 5 | 9:16 motion for stories and reels |
stated on their published page not stated there (it may still be done)
Sources: the process articles of motionmedia.com, yansmedia.com, mightyfinedesign.co, pixelstudiosinc.com and radioperfecto.net, read in 2026
Each stage's share of the total timeline in Radio Perfecto's published process. Half the time goes to production, and pre-production takes nearly a third.
Sources: Radio Perfecto, "Animation Production Workflow" (2026)
Only what this page already promises, along the same three phases the studios use.
The seven frames above were built with the same tools, the same character and the same visual language we build for you. The portfolio piece is right here.
From logo animation to a 3D teaser, every kind of motion graphics is produced by the same team that built the brand identity and colour palette, not a separate studio with a different taste.
The content team publishes your video in the right places so it doesn't just sit in a gallery.
The price depends on the video's length, its type (2D, 3D, character), how complex the animation is and how much filming is needed. After a short session, we send you a clear quote.
Prices are in US dollars and don't move with exchange rates, so there's no need to call for the "real" price.
Up to 15 seconds, suited to an Instagram story.
Up to 30 seconds to introduce a product or service.
Up to 60 seconds with higher production quality.
Up to 90 seconds with a story-driven narrative.
Editing existing footage with effects and color correction.
A basic package of promotional photography or audio recording/dubbing.
Large projects with a full film crew, actors, and media broadcast.
What is good to know before you order motion graphics.
Message us from the contact page or on Telegram. In a short session we agree on the goal, audience and length, and you get a quote and schedule the same day. You approve the script and storyboard before production.
Every kind: promotional teasers, explainer videos, 2D and 3D, logo animation, kinetic typography, animated infographics, isometric, whiteboard, product and app demos, character animation, Stories and Reels, corporate, TV commercials, broadcast packages and AI-assisted hybrid motion. The full list is in the "kinds of motion graphics" section of this page.
It depends on length, type and complexity. Base plans are in the pricing section of this page, and every project gets a clear quote. A short Story animation costs least; a 3D or TV commercial costs most.
Usually a few days to two weeks from script to delivery, depending on animation complexity and the number of scenes.
Yes, for the draft: animatics, style boards, backgrounds and style tests with tools like Seedance and ChatGPT Image. The final frame is always handmade, because raw AI output carries an invisible watermark that gets labelled on Instagram and YouTube, and it cannot hold a logo, real text or a brand character steady.
Yes. The character, world and visual language are designed from your brand identity, the same way the character in this page's story grew out of the Seemerce mark.
Yes. Besides animation, we film and photograph your product or business space.
Yes. We offer voiceover, dubbing and voice acting on their own too.
Sized for its destination: vertical for stories, square for posts, and high-quality horizontal for the site and general broadcast.

In a short, free session, we'll talk through your project's script, character and sound.
Teasers, animated infographics and logo motion, from storyboard to final render.
The rule is simple: See joins a word to make one new word, just as See and commerce became Seemerce.
Related names
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