Independent artists
A first music video often decides whether a track gets picked up by the algorithm at all. For a debut release we build a video that fits the budget you actually have, not the one you don't.
SeeClipConcept, direction, filming and edit
Create a music video people actually watch to the last second
A music video is not made by an expensive camera. It is made by an idea that sticks to the rhythm and mood of that specific track. We start by listening to the record, lock the concept and shot list before a camera is switched on, and deliver the finished video in versions ready to publish on YouTube, Instagram and TikTok.
- Custom concept and shot list
- Cinematic filming and locations
- Editing, color grading and VFX
- Landscape and vertical cuts in one order
One music video, six frames each with its own job
A music video edit is built on the structure of the song itself, not on taste. Each part of the track asks something different from the picture.
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1
Intro
Sets the world and holds the first seconds
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2
Verse
Story or character enters, cuts slow down
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3
Pre-chorus
Cut rhythm tightens to build expectation
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4
Chorus
The strongest image, the one the video is remembered by
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5
Bridge
A change of location or palette so the second chorus lands fresh
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6
Outro
The story closes; titles and the track name land here
Not every track has all six. If your song is built differently, the shot list is too; this is a starting point for the conversation, not a template.
Who Creating a Music Video Actually Makes Sense For
A good track without a picture only gets heard. With the right picture, it gets shared.
Labels and producers
For an album rollout or several singles in a row, instead of six unrelated shoots we define one shared visual language and one production schedule, so the videos read as a body of work.
Brands and campaigns
A branded music video is a commercial that behaves like a song. If your campaign has an original track or jingle, we build its visuals in step with the same digital marketing campaign.
Six Music Video Styles, Six Budgets, Six Outcomes
Before anyone talks about price, it has to be clear which style suits your track. The choice of style shapes the result far more than the camera does.
01
Performance
The artist and band in one designed, lit location. The lowest-risk style for a first music video and the fastest route to release.
02
Narrative
The video tells a short story while the lyric runs underneath it. The strongest emotional payoff, and the most pre-production work.
03
Lyric video
The words as the lead performer. The most economical way to put a track out ahead of the main video and get the audience learning the lines.
04
Motion graphics and animation
When the artist doesn't need to be on screen, or the track lives in an abstract space. Run by the same motion graphics team.
05
AI music video
Generating the shots that cannot be filmed, then editing and grading them by hand. Fast and affordable, and we name its limits in the first session.
06
One-take and behind the scenes
The whole track in a single unbroken shot, or a documentary cut of the rehearsal and the recording. For an audience that wants the process, this beats any flashy edit.
The Same Story, This Time in 3D
This is our own work, not someone else's showreel: the same seven frames we tell on the motion graphics page, rebuilt as a shorter, fully three dimensional scene. One camera that really orbits the mark, one light, under a minute, no sound. If you choose the animated or 3D route for your track, this is the language it gets built in.
Your track can have a frame like this too.
Order an animated music videoFrom Audio File to Release, in Six Stages
Every stage has one concrete deliverable you see and sign off on. Nothing happens behind closed doors.
01
Listening and brief
We listen to the track end to end, define the audience and the mood you are after, and put the real budget on the table.
Deliverable: a written brief and a chosen style
02
Concept and treatment
The visual idea written on one page: world, color palette, locations and references. If you do not like the idea, it changes before any money is spent.
Deliverable: treatment and mood board
03
Shot list and schedule
The song is broken down second by second into shots, locations and gear are locked, and the shoot date goes in the calendar.
Deliverable: shot list and call sheet
04
Filming or image generation
The shoot day runs on pre-planned lighting, camera moves and take counts. In the animation and AI styles, this is where the shots are generated.
Deliverable: raw footage and BTS
05
Edit, color and sound
The cut is locked to the beat of the track, a cinematic grade is applied, and the audio is mastered for platform playback. Two revision rounds sit here.
Deliverable: the cut for approval
06
Exports and release
One edit, several cuts: landscape for YouTube, vertical for Reels and Shorts, a short teaser for stories. Cover art and thumbnail ship with it.
Deliverable: platform-ready files
One Edit, Five Aspect Ratios
A landscape video cropped down the middle for a story loses half its frame. The vertical cuts are planned into the shot list from the start, not carved out at the end.
16:9
Master cut
9:16
Full screen
1:1
Square
4:5
Tallest feed crop
2.39:1
Scope
The Project Spec Sheet
The things that usually never make it into a quote, and that arguments start over later. These go into the contract before work begins.
- Final delivery
- 4K or Full HD, MP4/H.264 plus a high-bitrate archive master. The edit project file is handed over on request.
- Audio
- A separate master for web playback; if another studio mastered the track, that file is used untouched.
- Color grading
- One cinematic grading pass across the whole video, matched to the palette approved in the treatment.
- Revisions
- Two revision rounds on the locked cut, within the scope signed off in the shot list. Changing the concept after the shoot is a new project, not a revision.
- Turnaround
- Shorter for lyric videos and animation, longer for narrative projects with cast and multiple locations. The exact date is given once the shot list is locked, not before.
- Rights and clearance
- Footage rights transfer to you on final payment. Broadcast clearance, the composition rights and cast releases sit with the client, and the contract says so explicitly.
- Release assets
- Cover art and thumbnail, an optimized YouTube title and description, and the short social cuts ship with the delivery.
What We Don't Do
- We do not promise your video will go viral. Nobody can; anyone who does is selling you something else.
- We do not start a shoot day without a treatment and a shot list, however rushed the release is.
- We do not pass stock footage off as an original shoot; where stock is genuinely needed, it is written into the shot list.
- We do not take on broadcast clearance or the rights to the composition, and we do not give vague assurances about them.
Why Have Seemerce Create Your Music Video
Cut to the beat, not to a guess
Every cut is locked to the beat and structure of the track itself. That one thing separates a video people finish from one they close at second twenty.
Consistent with your visual identity
Cover art, thumbnail and color palette come from the same place your brand identity was built, not from a separate studio's taste.
Production to release, one roof
The video does not sit in a folder. The YouTube copy, the short cuts and the release plan are handled by the same team running your content and campaign.
Music Video Production Cost and Rates
The cost of a music video is not one fixed number: it follows the style, the number of locations, how many shoot days it takes and how much visual effects work sits after the shoot. The figures below are the starting point for each style; once we have heard the track and locked the shot list, you get a transparent quote.
Prices are shown in US dollars and stay fixed regardless of exchange-rate swings; no need to call for the "real" price.
Lyric Video
$30
The lyric as kinetic typography, with no filming.
- Kinetic typography cut to the beat
- Custom graphic background
- Word-accurate sync
- 1 revision
AI Music Video
$60
Shots generated with video models, edited and graded by hand.
- Prompt design and a visual world for the track
- Shot generation and selection
- Beat-locked edit and color grading
- 1 revision
Single-Location Performance
$120
The artist performing in one designed, lit location.
- Custom treatment and shot list
- One shoot day with crew and lighting
- Editing and cinematic color grading
- Landscape and vertical exports
- 2 revisions
Animated Music Video
$160
Motion graphics or full animation across the whole track.
- Character and visual-world design
- 2D or 3D animation
- Full sync to the music
- 2 revisions
Narrative Music Video
$280
A story-driven video with cast and multiple locations.
- Full script and storyboard
- Multiple shoot days and locations
- Cast, wardrobe and makeup coordination
- VFX and advanced grading
- 2 revisions
Edit and Grade Your Footage
$40
You shoot it; we handle the edit, color and sound.
- Cut locked to the beat
- Cinematic color grading
- Audio mix and master for web playback
- Landscape and vertical versions
Cinematic, Tour and Concert Projects
Multi-camera concert capture, large productions with a full crew, and a media release plan.
- Multi-camera capture and live sound
- Full production crew and location management
- Release and broadcast planning
Frequently Asked Questions About Music Video Production
Everything worth knowing before you order a music video.
How long does it take to create a music video?
Lyric videos and animation are usually ready in a few working days. A single-location performance piece runs roughly one to two weeks from brief to delivery, and narrative projects with cast and multiple locations take longer. The exact date comes once the shot list is locked, because anything before that is a guess.
What does music video production cost depend on?
Four things: the style, the number of shoot days, the number of locations and cast, and the post-production load such as VFX and grading. The pricing table above shows the starting point for each style.
What should I do on a small budget?
Start with a lyric video or a single-location performance piece. Both are achievable on a small budget and get the track out; once it finds an audience, the narrative version makes sense. Pushing the most expensive option as the only route is not how we work.
Does an AI music video actually work?
For surreal, abstract worlds and shots that would be impossible or uneconomical to film, yes. For close-ups of the artist and accurate lip-sync, real filming still wins. In practice a blend of the two gives the best result.
I already shot the footage and only need an edit. Is that possible?
Yes. Editing, grading and sound work on your own footage can be ordered on their own. If the footage will not support the idea you have in mind, we say so up front, not after delivery.
What versions of the video do I get?
The landscape master for YouTube and your site, a vertical cut for Reels and Shorts, a square or 4:5 cut for the feed, and a short teaser for stories. Cover art and thumbnail come with the same delivery.
Who handles rights and broadcast clearance?
Footage rights transfer to you on final payment. Broadcast clearance, the rights to the composition itself and cast releases sit with the client, and that split is written into the contract.
Send us the track and we will write its concept
Book a short session. We listen to the record and talk plainly about style, the real budget and the timeline before any contract exists.
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Music video production
Script, shoot and edit for a music video, with a planned shoot day.
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